Dr. Ege uses performance to bring her research to life. In this sense, performance becomes a form of 'edu-tainment' where her intentions are not only to deliver repertoire for the purpose of audience enjoyment, but to also communicate the rich histories to which the repertoire belongs and deepen the listener's experience of the music as a result.
4.5/5 ★ "Stunning piano music by four neglected female composers."
Lisa MacKinney - Limelight
"Samantha Ege is to be congratulated, not only for her insightful interpretation, particularly in the works of Bilsland and Bonds, but for her goal to bring the music of these composers to greater public awareness."
Judith Mabary - International Alliance for Women in Music
"Ege understands these pieces on a fundamental level, and her rapport with the music comes shining through in her playing."
Meg Wilhoite - Sound Meets Sound
“Beyond the significant historiographical effort of Four Women, the project highlights the piano itself as a musical shapeshifter, and Ege as an immensely creative soloist.”
Cara Search - Sybaritic Singer
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