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​South Side Impresarios: Race Women in the Realm of Music (University of Illinois Press, forthcoming).

Florence Price: Master Musician Series co-authored with Douglas Shadle (Oxford University Press, forthcoming).

The Cambridge Companion to Florence B. Price co-edited with A. Kori Hill (Cambridge University Press, forthcoming).


“Nora Douglas Holt’s Teachings of a Black Classical Canon,” The Oxford Handbook of Public Music Theory, ed. J. Daniel Jenkins (Oxford University Press, 2022).



“Restaging Respectability: The Subversive Performances of Josephine Baker and Nora Holt in Jazz-Age Paris,” Angelaki: Journal of the Theoretical Humanities 27 no. 3–4 (2022): 112–124.

“Chicago, the 'City We Love to Call Home!': Intersectionality, Narrativity, and Locale in the Music of Florence Beatrice Price and Theodora Sturkow Ryder,” American Music 39, no. 1 (2021): 1–40.

“Composing a Symphonist: Florence Price and the Hand of Black Women’s Fellowship,” Women and Music: A Journal of Gender and Culture 24 (2020): 7–27.

“Florence Price and the Politics of Her Existence,” The Kapralova Society Journal: A Journal of Women in Music 16 no. 1 (2018): 1–10.


“The Heart of a Woman: The Life and Music of Florence B. Price by Rae Linda Brown,” Journal of the American Musicological Society 72, no. 1 (2021): 427–431.

Photograph by Ian Wallman

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