Dr Ege received the Society for American Music’s Eileen Southern Fellowship (2019) and a Newberry Library Short-Term Residential Fellowship (2019) for her work on women's contributions to concert life in interwar Chicago.
“The Timeliness and Timelessness of Nora Holt and Josephine Baker.” In After Modernism: Women, Gender, Race. Ed. Pelagia Goulimari (Routledge, forthcoming).
“Nora Douglas Holt’s Teachings of a Black Classical Canon.” In The Oxford Handbook of Public Music Theory. Ed. J. Daniel Jenkins (Oxford University Press, forthcoming).
“Chicago, the 'City We Love to Call Home': Intersectionality, Narrativity, and Locale in the Music of Florence Beatrice Price and Theodora Sturkow Ryder.” American Music 39, no. 1 (2021): 1–40.
“Composing a Symphonist: Florence Price and the Hand of Black Women’s Fellowship.” Women and Music: A Journal of Gender and Culture 24 (2020): 7–27.
“The Aesthetics of Florence Price: Negotiating the Dissonances of a New World Nationalism.” Ph.D. dissertation, University of York, 2020.
“Florence Price and the Politics of her Existence.” The Kapralova Society Journal: A Journal of Women in Music 16 (2018): 1–10.